Dating a greek guy
In contemporary popular culture, Cupid is shown drawing his bow to inspire romantic love, often as an icon of Valentine's Day.The Romans reinterpreted myths and concepts pertaining to the Greek Eros for Cupid in their own literature and art, and medieval and Renaissance mythographers conflate the two freely.His symbols are the arrow and torch, "because love wounds and inflames the heart." These attributes and their interpretation were established by late antiquity, as summarized by Isidore of Seville (d. Cupid is also sometimes depicted blindfolded and described as blind, not so much in the sense of sightless—since the sight of the beloved can be a spur to love—as blinkered and arbitrary.As described by Shakespeare in A Midsummer Night's Dream (1590s): Love looks not with the eyes, but with the mind And therefore is winged Cupid painted blind.
In art, Cupid often appears in multiples as the Amores, or in the later terminology of art history, the equivalent of the Greek erotes.
The multiple Cupids frolicking in art are the decorative manifestation of these proliferating loves and desires.
During the English Renaissance, Christopher Marlowe wrote of "ten thousand Cupids"; in Ben Jonson's wedding masque Hymenaei, "a thousand several-coloured loves ... Cupid is winged, allegedly, because lovers are flighty and likely to change their minds, and boyish because love is irrational.
Cupids are a frequent motif of both Roman art and later Western art of the classical tradition.
In the 15th century, the iconography of Cupid starts to become indistinguishable from the putto.
At the same time, the Eros who was pictured as a boy or slim youth was regarded as the child of a divine couple, the identity of whom varied by source.